What are Blonde Vibrations listening to right now? (You need to hear these artists...)
- blondevibrations
- 4 days ago
- 8 min read
Carrie Bradshaw: Big is moving to Paris. Of course he was. Men like Big never just leave town, they relocate to a different time zone, preferably one that makes emotional closure impossible. When the stores closed, and the last Manolo Blahnik in my size had been sold, I wandered through the streets alone, the city suddenly feeling too big for just me and my thoughts. Back in my apartment, I poured myself a drink, generous, but not desperate, and opened my laptop.
And I couldn’t help but wonder… What are Blonde Vibrations listening to right now?
Were they already ahead of me, soundtracking their lives with dazzling pop anthems and indie heartbreaks? Perhaps they were the podcast princesses leading the way to music royalty. Or maybe, just maybe, they were curating the perfect distraction… Something to soften the nine-hour time difference between me and my future.
'2515' - Wasia Project
‘2515’ by Wasia Project feels like a sultry, powerful sonic movement, cinematic in scope, but still grounded in the duo’s signature precision. It comes as an evolution of their sound, prioritising atmosphere and immersion over vocal acrobatics, letting the mood do the storytelling. The delivery carries an assertive tone, polished and self-assured. The orchestral elements and futuristic centerpiece of the track are striking in contrast but beautifully complementary. These textures collide to make the whole thing feel expansive, projecting upwards. That sense of lift gives the song a near-transcendent quality. You can really hear the attention to detail in the production, with every layer intentionally placed to deepen the atmosphere. The bridge is where it fully opens up as the pace slows, dissolving into a trippy haze that reframes everything before it. The vocals become especially gorgeous here, floating through the arrangement in a surreal way. The track takes an unexpected turn, but one that lands in the most satisfying way, highlighting how confidently they are experimenting. Overall, it feels like Wasia Project is taking a genuine leap into the unknown, somewhere cinematic and more adventurous than before. Yet, they still maintain that emotional clarity that defines them. The result is something effortlessly transportive.
'Lost In Your Blues' - Josie Man
Josie Man's sound is pure, sparkling escapism. She excels at producing tracks that somehow make you wish the whole world sounded like her voice. There is an inherent sweetness in her tone that feels sunlit and effortlessly charming, giving the whole song a glossed pop energy. Beneath that shimmer, though, lies something beautifully grounded in ‘Lost In Your Blues’. Josie’s lyricism feels authentic, coming from a real place of empathy and emotional intelligence. She reads between the emotional lines of others’ experiences and articulates them in a way that feels natural in a song. The way she navigates themes of longing, confusion, and being lost in the blues is nuanced and makes it easy for listeners to step into her world and relate, even if their own situations are different. She may well be the ultimate Pisces. What is so magical here is the balance, the sparkling, polished production meets down-to-earth, heartfelt songwriting. The track dances between whimsy and sincerity, capturing both the nostalgia of the Disney/Hannah Montana era and the sophistication of someone who truly understands emotional resonance. It is fun and dreamy yet emotive all at once. You can float away in it while also feeling like someone truly sees what you are going through. If you sit and think about the missed magic of the early 2000s, this is a track you need to discover.
'American Wedding' - flowerovlove
'American Wedding' by flowerovlove continues that streak where every release somehow feels like the new best yet. Each time she returns, there is a little more confidence, showing that Joyce is even more comfortable in her lane. The track leans into coy, conversational phrasing, her vocals sitting pretty on top in a way that feels playful rather than performative. There are subtle Americana inflections intertwined into the modern pop framework, and she has a real instinct for making something feel fun without overthinking it, letting the hooks land naturally. The catchiness is undeniable, built on fun melodies and that relaxed, self-aware tone that is quickly becoming her signature. What really stands out is how effortless it all feels. There is an easy charm here that makes her mainstream appeal seem inevitable, the kind of boppy, instantly likeable pop that does not try too hard but never needs to. It has already wormed its way into your mind. It feels bright, confident, yet still keeps things fresh from her previous releases. Consider this your reminder to get familiar before her Coachella debut, because tracks like this make it feel like she is right on the cusp of something much bigger. It is about time!
'ANNIE' - Tristan
As we approach the release of Tristan’s album ‘TRISTAN1’, her latest single, ‘ANNIE’, lands like the perfect appetiser, a taste of the world that is about to unfold. Lyricism takes center stage here, with Tristan utilising the song almost as a letter to a distant friend, wishing them well, reflecting on absences, and reminding them (and us) that there is always a place at her table. There is something profound in the way she asks questions to this old companion, touching on updates in her life that will never fully be shared, but once would have been second nature. It feels tender and filled with a sense of emotional continuity, the idea that some connections linger in the air even when they are physically absent. Tristan’s storytelling talent shines through within this track, her voice and lyrics working together to build the conceptual framework for an integral piece within the album, this imagined dinner party. It feels like there is life lived before its release, the life that comes after, and the space in between where we sit with anticipation. ‘ANNIE’ feels like that waiting room as she lets us into her pop magic, sophisticated in its narrative depth and curated emotional moments. This track is a wonderful doorway into Tristan’s world, leaving us (im)patiently waiting for what comes next.
'blackout' - Khatumu
‘blackout’ by Khatumu is an unflinching look at those moments when you hide in comfort rather than show up honestly, when you realise you do not quite know who you are without the mask you present to the world. Inspired by a bad date in New York, the track feels like a lesson even Carrie Bradshaw could learn from. Khatumu uncovers a devastating beauty in vulnerability, in the spaces where honesty collides with discomfort, in the attempts we make to avoid confronting the raw edges of ourselves. Listening to this, it is easy to recognise the ways we seek solace, be it through drinks or distractions, while quietly questioning who we are beneath it all. This song was my introduction to Khatumu, and I was instantly hooked. Her raw, articulate lyricism makes it impossible not to feel seen. Now, like the rest of her fans, I am eagerly awaiting her sophomore EP ‘Exposure Therapy’, ready to be drawn back into her world of hauntingly beautiful, honest storytelling.
'I'm Sorry Maria' - Leyla Ebrahimi
‘I’m Sorry Maria’ by Leyla Ebrahimi is a journey through the rawest corners of emotion. It begins with an ominous, mellow, nostalgic alt-pop sound, gradually building up until erupting into a storm of rock-fueled rage. The electric guitar paired with her pained, gritty vocals makes every word hit like it has been pulled straight from her chest. Towards the end, her screams are gut-wrenching, a gruelling release that feels impossible to ignore as we are hit with this unfiltered confessional. There is a sense of unravelling, a sudden confrontation with what is not right, each moment capturing the urgency and half-apology at the heart of the track. Regret and confusion spill out in distorted waves, each truth too urgent to be subtle. The track is addictive through its deliciously intense delivery. It fully demands to be felt, and Leyla delivers that sentiment entirely.
'Imagine' - Mimi Greene
‘Imagine’ by Mimi Greene is rendered in heartache, reminiscent of early Olivia Rodrigo or Gracie Abrams, where every word is soaked in reflection and pain. Mimi uses this track to confront emotional bruises without shying away from this exploration, conflicts, familial tension, and the weight carried by the inner child, delivered with a gentle, soothing hand. Her voice carries the sorrow so naturally, declaring this liminal space of being torn, of grappling with moments where you cannot move on and just be whole, yet still finding a whisper of tenderness beneath the ache. The track’s emotional intimacy is its superpower, the way she balances gentle melodies with lyrical weight. You feel yourself inhabiting her experiences, resonating with that reflective sorrow, and understanding the gravity of moments that leave invisible marks. Mimi Greene captures the universality of emotional scars while wrapping them in a sound that is introspective and heartbreakingly relatable. Memory and melancholy collide in such a beautiful way. Please listen to this track, but proceed with caution.
'Belt' - Jolina Louise
‘Belt’ is a perfect example of just how authentic Jolina Louise is as an artist. From the first note, she does not hold back, her voice cascading effortlessly over an easy-listening beat. The track is undeniably catchy, yes, but when you really pay attention to the lyrics, it reveals a deeper layer: a sexually free, bold declaration of exactly what she wants. There is something incredibly liberating about a woman being so frank in her desires, skipping the traditional romance narrative entirely and embracing honesty over pretence. ‘Belt’ feels like freedom in sound, a celebration of speaking your truth, owning your pleasure, and revelling in it unapologetically. On top of all that, it is a track so catchy that it will have you exploring every corner of her discography.
'Lucky You're A Star' - Valencia Grace
Valencia Grace’s music often feels less like a song and more like a performance art piece, calling it simply music almost undersells what she is doing. On the modern music scene, no one else sounds like her right now. Her tone, her production, her approach, it is all completely singular. There is this feeling that a hidden gem of the ’80s has been resurrected and reimagined with a contemporary lens with ‘Lucky You’re A Star’, and it is incredibly forward-thinking. She is a deeply authentic creator, and the humanity in her work is palpable. Every arrangement feels intentional, and this track is just one stunning example of the skill and vision she brings to her album 'S!ut’. The album as a whole feels entirely one-of-a-kind, carving out something unique within an industry that often seems saturated and predictable. Valencia Grace is setting a new standard, showing how pop can be experimental with artful production. More people need to wake up to what she is creating before the rest of the world catches on, because when they do, it is going to feel like discovering a whole new universe of sound.
'Mothers by July' - Bekah Bossard
‘Mothers by July’ by Bekah Bossard is a delicately constructed piece of storytelling that is so tender in both its concept and delivery. It explores the idea of not being able to accidentally get pregnant, while still imagining the intimacy of merging souls to create something that carries pieces of each of you into a new being. It permits that grief to breathe, to sit with and process it, to ultimately move forward. It balances this realisation of a sense of loss with acceptance, reflecting on letting go of the traditional futures often set before us in a heteronormative society, and instead embracing the fullness of a life that exists outside those expectations. It is an intelligent, nuanced take on identity, love, and possibility. All of this unfolds over a gorgeous guitar arrangement, allowing Bekah to deliver each line as a quiet truce with herself, beautifully resolved. It provides comfort while gently affirming that a life lived authentically can be just as meaningful and complete.
Carrie Bradshaw: I clicked through track after track, letting the music fill the silence Big left behind. Upbeat choruses felt like possibility. Slow bridges felt like memory. And somewhere along the line, I realised… maybe Blonde Vibrations isn't just something to listen to. Maybe they are something to hold onto. After all, in a city where love can disappear on the next flight to Paris, sometimes the thing more reliable than a man… is a really good soundtrack.
Grab your cosmopolitan and click play!
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